The Best in Show has been chosen from many fine works as one that, of course, displays accomplished skill in handling the medium as one would expect, yet has a quality that makes it especially appealing. And that quality is the use of linear perspective that carries the viewer off into the distance coupled with colour perspective that uses hue saturation in such a beguiling manner. The hero of the scene is probably the craggy mountain etched against the sky, but as one becomes absorbed in the picture the delicate wisp of smoke from the house asks the viewer to rethink their involvement in the scene. All figurative painting carries a narrative. With this piece the artist uses multiple messages, sub-plots if you like, that revolve around each other and involves the viewer in an experience than goes beyond the first glance and rewards contemplation.